Why İt S So Difficult To Shoot Night Scenes During The Day Movies İnsider İnsider, youtube mp3 indir
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Why It's So Difficult To Shoot Night Scenes During The Day | Movies Insider | Insider
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Historically, the day-for-night approach hasn't always produced the most convincing results. On "Nope," Van Hoytema and director Jordan Peele wanted to avoid the aesthetic of practical smoke and fake silhouettes that characterizes traditional day-for-night scenes — an aesthetic that Van Hoytema and Peele referred to as "movie nights." To find a new approach, Van Hoytema adapted a technique he originally developed to film a lunar chase for "Ad Astra" (2019). The solution on that film involved a two-lens 3D camera rig, including one camera that filmed in color and one camera that filmed in infrared. The infrared footage allowed the team to more naturally alter the colors of the California landscape into something closer to moon lighting.
Van Hoytema used a similar two-camera rig on "Nope" that simulated the way the human eye behaves in low-light scenarios. The result: deep, immersive nights that capture the vastness of the desert and sky — and amp up the tension in Peele's sci-fi thriller.
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Why It's So Difficult To Shoot Night Scenes During The Day | Movies Insider | Insider