Perfect Blues 1920S 30S 40S Vintage Blues Louis Armstrong Count Basie Leadbelly Past Perfect, youtube mp3 indir
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Perfect Blues: 1920s 30s & 40s Vintage Blues; Louis Armstrong, Count Basie, Leadbelly (Past Perfect)
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The Past Perfect Channel expertly remasters music from the 1920s, 30s, 40s and 50s. French Music, Retro Music, Saxophone Music, Italian Music, Jazz Music, Swing Band Music, Morning Music, Piano and Guitar Music, Music while Cooking, Christmas Music, Background Music, Holiday Music, Big Bands, Dance Bands, Love Songs, Tea Dances, Vintage Parties, Murder Mystery Events, Ballroom Dancing, War Re-enactment Events, Nostalgic Songs. Master Rights Copyright: Past Perfect Limited
♫ Buy CD or MP3 album on the Past Perfect Music Store: https://bit.ly/3am5XR6
Perfect Blues album cover image by Miguel Covarrubias. © Christie’s Images Ltd/Miguel Covarrubias Foundation
Track List:
1. 00:00:00 Jelly Roll Morton's Red-Hot Peppers Original Jelly Roll Blues
2. 00:03:08 Joe Venuti, Eddie Lang Beale Street Blues
3. 00:06:33 Bessie Smith Nobody Knows You When You're Down and Out
4. 00:09:36 Louis Armstrong & His Hot Seven Potato Head Blues
5. 00:12:45 Leadbelly Backwater Blues
6. 00:16:17 Fats Waller Fats Waller's Original E-Flat Blues
7. 00:19:46 Jimmie Lunceford Blues In The Night
8. 00:22:36 Maxine Sullivan St. Louis Blues
9. 00:25:55 Benny Carter Swingin' The Blues
10. 00:29:05 Trixie Smith Freight Train Blues
11. 00:32:31 Louis Armstrong (What Did I Do To Be So) Black And Blue
12. 00:35:43 Bessie Smith I'm Down In The Dumps
13. 00:39:01 Joe Venuti To To Blues
14. 00:42:19 Nat Gonella & His Georgians Hesitation Blues
15. 00:45:33 Johnny Dodds Red Onion Blues
Additional tracks available on the CD of this album from Past Perfect : https://bit.ly/2lz7oqp
Also available to Download: https://bit.ly/2lz7oqp
Full 23 track playlist of Perfect Blues here: https://youtu.be/U-yAwdCZuxI
© Past Perfect Limited
℗ Past Perfect Limited
Various Artists - Perfect Blues
Released 2006-05-29 on Past Perfect
What is it about the blues? How can one explain the potency of this apparently simple musical form? A key factor in jazz, the blues gene also zigzags through rock and soul, and is a significant influence on country ‘n’ western and reggae, too. Certainly, jazz musicians have no doubt of the continuing efficacy of the blues form, with successive generations of jazzmen obtaining creative sustenance from the time-honoured 12-bar structure. They love the tone qualities and timbre peculiar to blues expression.
One who makes ample use of the blues in his new compositions is prominent trumpeter Wynton Marsalis, who often reminds us that Duke Ellington, too, was a man who never lost his affinity for the blues. As if to illustrate this, there’s a story credited to the late Basie band vocalist Joe Williams. “If ever Duke came into a club,” he said, “you just waited ‘til he stood up to go, put his coat on and got to the door, and then you started to sing a blues. Duke would just turn around and he’d be back at his table straight away.”